It happens in big studios that the huge backwall QRDs (or not QRDs type btw) are positioned in front of a big LF bass trap, a tuned Helmholtz for ex.
Membrane type and resistance to flow type of treatment go well together, but there are "membranes" and... membranes
LF do go through 1,25mm-1.8mm (1/2 inch) wood easier than one would think if the frequency is low enough. A lot of energy is transmitted to the wood itself as well and creates re-emission at some frequencies. What is important with membranes in studios is that the energy transmitted to that membrane is lost in heat and not re-emitted. Which type you need depends on the freq, needed width of the Q etc. So, in short, resilience of the membrane is a very important factor.
Combinations of treatment can work, but it gets really tricky to get it right.