To answer this, I look at every stage in the record making process as a means to an end vision. My aural end vision is always changing but i do know what I like. My ears and heart have always loved warm, fat sounding records.
I have for years collected great amps and mics and "vintage gear "
For me digital is just a format now that helps make records , but has to be watched not to hurt it.
I pay attention to every step in the chain all along the record making process to try and keep that sonic vision intact.
I use quite few ribbon mics for their warmth with detail along with tube mics. I look closely at the placement of brittle sounding mics like 57's on guitars. I look closely at how much top end I add to cymbals and bright sounds because in digital these are not going to dull.
I make sure that in the end particularly if tape has never seen the project
I mix back to at least 1/2" analog if not a lot of times 1" analog 2 track.
and then finally, I make sure I stay in touch at least ,if possible with the mastering engineer so that I can express my wishes for the over all sonic finish line intended. You need a mastering engineer in the end that is not going to ruin your work but compliment it
