C.Cash wrote on Thu, 09 April 2009 15:55 |
I need to find information on the DB25 cable that connects the Lexicon 224 to the remote. A pinout diagram would be perfect. Any information would be helpful. Thanks. |
C.Cash wrote on Fri, 08 May 2009 10:18 |
everything I have read and heard tells me this is truly an incredible piece of gear. |
ssltech wrote on Fri, 08 May 2009 10:55 | ||
Well, ANYTHING is better than D-verb... But I never liked much about the 224. Now the 224XL was a WONDERFUL thing, but a completely different piece. Keith |
compasspnt wrote |
I always just wanted it to sound like reverberation. |
zmix wrote on Fri, 08 May 2009 15:03 |
Keith, I am completely with you in terms of the 'chorusing' parameter, but I believe that this was a part of the original 224 "Large Concert Hall" algo??? |
ssltech wrote on Fri, 08 May 2009 22:57 | ||
You may of course be quite right, but I don't think that I ever discovered it, and I did go looking on the couple which I encountered. I'm inclined to suspect that not all of the programs may have had it? -By the time of the mature 224XL software versions however, they had built it into the rooms, the halls, the plates, -everything. The 224XL also had some nice 'splits' which allowed TWO full stereo output reverbs from the one box. -Again, in the "gotta have more reverb choices" 1980's, this played well with most of the producers for whom I twisted dials. The PCM80 acted in precisely the same way, so I'm not surprised to hear that it may have been a direct cross-port. I do love me some PCM80! Keith |
ssltech wrote on Fri, 08 May 2009 18:47 |
Oh wow... Maybe we experienced completely different software versions or something, but for me the 220XL was THE sound of Dave Bascombe/Trevor Horn/Steve Lipson/Julian Mendelsohn mixes in the 1980's. Like the PCM80, NOTHING does what the XL did to a piano, when you rolled in a 'chorus' parameter setting of 54-56 in a reverb tail. (settings 00-50 did NOTHING, and settings 60 and up were preposterous, but the mid-fifties brought GLORY to so many things!) I never -ever- (not even once) met a 224 which had that ability... but then this was the luscious excess of the 1980's, and I was addicted to that box as most Los Angeles hair-rock producers were to cocaine... The 480 removed that parameter, and was the first step backwards after MANY steps forward, for Lexicon. ...To my ears at least. Keith |
Phil Mayor wrote on Sat, 09 May 2009 19:20 |
Terry: I used the Non-lin AMS program just the other day on snare, sounded great...though a little more subtle on the send that the 80's |
C.Cash wrote on Fri, 12 June 2009 12:04 |
Update; I sent Tom Maguire 718-216-3636 TMI Engineering 283 West 261st St Basement Rear Fieldston Rd Gate Bronx, NY 10471-1143 $250.00 via PayPal as requested by Tom Maguire 718-216-3636 TMI Engineering 283 West 261st St Basement Rear Fieldston Rd Gate Bronx, NY 10471-1143 But now I cannot get in touch with him via e-mail or telephone. In his defence though his answering machine is full so my guess is that he is just not there.Vacation perhaps? So the 224 is still sitting in my office. |
John Monforte wrote on Tue, 14 September 2010 07:58 |
Clifford, Sorry to hear about the neglect you are receiving. I re-read the thread and saw that you had no signal and no remote action. This is probably due to the cheap connectors in the power supply. Mine had this too. It isn't a big deal to fix. If you ever get yours back, I can have a look at it for you. Good Luck! |
compasspnt wrote on Mon, 12 October 2009 00:48 |
I met Tom McGuire at AES today, and I can now assure everyone that he is completely serious about repairing the Lexicon stuff...seems very knowledgeable. But he does have a big backlog on the bench right now, so until that clears, things will take a bit of time to complete. And remember, many of these units could be simply unrepairable. Oh, by the way, he sends a photo message... Signed, Tom. |