genericperson wrote on Tue, 24 August 2004 22:33 |
Hello, I was reading a different message thread here. Someone was saying they use Samplitude to master a region of audio, and then change the effects settings when going to another section of audio within the same piece of music...almost like changing the "scene memory" on a console in the middle of a song. This sounds interesting. But I'm wondering what kind of circumstance in the audio would suggest this type of treatment. |
genericperson wrote on Tue, 24 August 2004 22:33 |
Hello, I was reading a different message thread here. Someone was saying they use Samplitude to master a region of audio, and then change the effects settings when going to another section of audio within the same piece of music...almost like changing the "scene memory" on a console in the middle of a song. This sounds interesting. But I'm wondering what kind of circumstance in the audio would suggest this type of treatment. |
genericperson wrote on Wed, 25 August 2004 21:59 |
You have me sold on the Lipinski's by the way. As soon as I save up the $$ they are going to the top of the audition-with-intent-to-buy pile. |
AlanS wrote on Sun, 29 August 2004 11:19 |
Roy Hendrickson, chief engineer at Avatar Studios in NYC, has been using L-707s + sub for all his tracking and mixing in the rooms at Avatar. SSL has asked Lipinskisound to install an L707 5.1 system on an SSL large-format console at the Surround Conference in Hollywood this week. I'm pretty sure they're all using stands and not the meter bridge, but apparently, subwoofer issues and large consoles can be worked out. |