maxim wrote on Fri, 07 March 2008 16:38 |
not sure about the "pre-mix" rather hear it AFTER the mix i guess i have that choice though... |
Quote: |
-G p.s. In other news, baby #3 was born a week ago, and she is a girl... two boys now and a girl. Mom & baby are doin well... So what choo think, the oldest son on drums, middle one on guitars and vocals, and youngest girl on bass + bg vox? Me, I'll be the mean manager Dad who makes 'em practice Pixies tunes all day long. |
grant richard wrote on Fri, 07 March 2008 22:34 |
i'd say make both your boys learn guitar and drums, then see who's a better singer when they get older. |
garret wrote on Fri, 07 March 2008 22:37 | ||
Good point... safer too, so we can avoid having a singing drummer. |
mcsnare wrote on Sat, 08 March 2008 17:38 |
Show us whatcha got and if you can top this you get the gig." Dave |
Iain Graham wrote on Sun, 09 March 2008 22:26 |
If you're going to do it in mcsnare's label style, you have to be able to say what's wrong with your mix and how you want it bettered. The label would explain what they didn't like or wanted improved. |
rankus wrote on Sun, 09 March 2008 15:49 |
This would be how I would approach it... "beat me if you can". |
Iain Graham wrote on Sun, 09 March 2008 22:26 |
If you're going to do it in mcsnare's label style, you have to be able to say what's wrong with your mix and how you want it bettered. The label would explain what they didn't like or wanted improved. |
SingSing wrote on Tue, 11 March 2008 13:45 |
I think it's a brilliant idea Jason. Though I'm thinking these last IMP's have steered towards more conformity than earlier. Maybe it's the songs or maybe we've learned what our 'audience' wants. But I like the idea of you acting as a virtual "band/manager/A&R/label". As an added extra, maybe namedrop a few bands or songs to put us in the right mood? Anyways, I'm in. Stefan SingSing |
j.hall wrote on Tue, 11 March 2008 19:49 |
same song, however path one you decided to listen to my mix and try to copy it. path 2 you listened to my mix, read the text document of things i wanted changed and tried to beat my mix. path three, you don't listen or read and just mix the tune the way you want. |
j.hall wrote on Tue, 11 March 2008 15:49 |
let me address a few points here, because i agree with some and think they need some explaining. |
SingSing wrote on Tue, 11 March 2008 15:55 | ||
Maybe it's a language thing...didn't mean to come across as negative at all...I hope you didn't interpret it like that. Like I've said before, I think you're doing a great job keeping the IMP running, and I have had no problems at all with the songs. With that out of the way..... With more 'arty' songs there is possibly a broader palette of interpretations, whereas top-40 begs a different position. I guess that's what the conformity wording comes from. Me? I think they're all equally challengning and fun, and I have complete faith in the 'good' quality of the chosen tracks. All the best |
J Hall wrote on Tue, 11 March 2008 13:45 |
i think for this imp i'm going to have a few different submission threads. a choose your own adventure type thing. same song, however path one you decided to listen to my mix and try to copy it. path 2 you listened to my mix, read the text document of things i wanted changed and tried to beat my mix. path three, you don't listen or read and just mix the tune the way you want. |
j.hall wrote on Wed, 12 March 2008 14:51 |
i just thought of this as well. nothing is to stop you from submitting to all three..... |
M Carter wrote on Sat, 22 March 2008 11:53 |
Something like this would probably help all of us learn our monitoring systems a little better to huh? Matt |
j.hall wrote on Tue, 25 March 2008 14:34 |
hard rock. it'll be a tune off my band's record. |
Iain Graham wrote on Tue, 25 March 2008 16:36 |
Patience is a virtue you know.... |
J-Texas wrote on Tue, 25 March 2008 16:21 | ||
So you should have all of the tracks already nice and neat and ready to upload? |
j.hall wrote on Wed, 26 March 2008 20:47 |
... we'll start within the next 5 days. |