Bo wrote on Thu, 29 April 2004 16:14 |
haha thx guys. |
Bo wrote on Thu, 29 April 2004 16:31 |
thanks guys...I really may use room mics. also, i can get a hypercardioid but not a very high quality one...most of the mics at work are geared more for live sound work. But we'll see. how far away do you place your paticular room mics? In the top of the corner? I need sleep hahaha. |
hargerst wrote on Thu, 29 April 2004 23:00 |
Basically, you're screwed, whatever you do. If the guy fucks up, you're gonna just hafta start over, either with a punch-in (which probably won't work, because the guy won't play and sing evenly enough), or just retake it from the top of the song. I'd go with a pair of 603's in an x/y array, down low, pointed near the bottom of the guitar. Blend in the C1, which should be forehead high, aimed at his mouth. Watch for phasing problems and do a lot of praying. |
Bo wrote on Thu, 29 April 2004 17:07 | ||
well, I am lucky as heck because this guy is a really good player and vocalist. I think he is just being picky about getting an intimate sound/feeling. Another problem is that some tracks may have some other instruments (rhodes piano, upright bass, electric guitar, harmonica, acordian, to name a few) added in on various tracks. So, I'm scared about mixing essentially his live feel with these other tracks done individually. But we'll see...I may try to talk him into seeing it my way. Do you think the difference will be overly obvious? |