wwittman wrote on Thu, 21 April 2005 21:06 |
I think it's a good point to say that rather than minimising it, work WITH it. When you stand in front of the guy playing and singing, can you hear both things all right? You don't need perfect separation, only a good balance. I tend to start with a side address condenser, like an 87 or 47, and angle it upward toward the singer form slightly below chin level.. the idea being to reject the guitar behind and below. Then I sort of mirror that with another one pointed down at an angle at the guitar. Sort of semi-X-Y with one axis pointed at the guitar and the other at the singer's mouth. |
j.hall wrote on Fri, 22 April 2005 10:40 |
why not try using a figure 8 pattern? just one mic, could be interesting. |