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I have the mic plugged into the XLR mic input of the neve and XLR line output into line level of prism Lyra. When the earth lift is switched off, feels like a high pass filter is engaged and the mic sounds harsh again.

Error tracking list:

• You might have a mis-wired or partly shorted XLR cable (supposed mic and preamp are OK).
Repair or replace, cable tester is your friend.

• Does the signal run through a stage box / patchbay?
The error might even be there.

• Check with a known working tube mic - does the same happen?
If not, something’s wrong with the mic’s internal wiring.

If the Lyra has a ground lift switch (I think not), you could even test if the same is happening.

Горячекатаный швеллер стальной действительно имеет ряд преимуществ, особенно если говорить о прочности и долговечности. Кроме того, его устойчивость к коррозии делает его отличным выбором для различных строительных проектов, особенно в условиях изменчивой погоды или при работе в агрессивных средах.

Итак, если говорить о различиях между гнутым и горячекатаным швеллером, то первый обычно изготавливается из листового металла, а второй - производится путем горячей прокатки стали. Горячекатаный швеллер стальной обладает высокой прочностью и устойчивостью к коррозии, что делает его привлекательным во многих отношениях. Швеллер горячекатаный стальной  цена купить тюмень посмотрите здесь. В целом, выбор будет зависеть от конкретных требований к проекту и бюджета. Но, учитывая характеристики, я бы склонился к горячекатаному в большинстве случаев.

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Your earth lift switch should not cause any difference in frequency response, so something is wrong. Normally a high pass filter soundwhit a transformer output would indicate one wire missing on the transformer output, but the high pass will be at a very high frequency. You should check carefully that the two ends of the output transformer winding in your preamp are going to the right places.

У меня возник вопрос при выборе материала для строительства. Какой тип швеллера предпочтительнее: гнутый или горячекатаный? Есть ли у них какие-то особенности или различия в качестве? Буду благодарен за ваш опыт и советы!

Update, turns out the Telefunken 251 in the Vintage King LA showroom was a loaner from Telefunken, so Telefunken authorized the mic swap. The showroom mic was manufactured only about 6 months before mine, and they are honoring my current warranty period so I am very satisfied with the resolution. Thank you again for the suggestion. I will note the mic I swapped for seems to have a bigger bottom and less pronounced high mid section. Responds to room acoustics differently. This mic is more sensitive to the room than any mic I’ve worked with so good acoustics seem to be the key when using this mic.

On another note, I noticed something sort of by accident. When using a Neve 1073N preamp (can be used standalone or in a chassis), when the earth lift switch is logged on, any use with it sounds much bigger and warmer with a massive bottom end and filtered high end (but not like a low pass filter), just smoothed out. I have the mic plugged into the XLR mic input of the neve and XLR line output into line level of prism Lyra. When the earth lift is switched off, feels like a high pass filter is engaged and the mic sounds harsh again. Notably, the neve preamp with the earth lift switched off sounds similar to the Lyra preamp, which makes me think the earth lift toggled off is a more accurate representation. And the manual says the earth lift is only relevant when using DI, but not used when using the mic/line to input are balanced and ground free thanks to the input transformers. Nonetheless, I prefer the sound of the earth lift switched on.  Any thoughts on this?