Bob Olhsson wrote on Sat, 26 August 2006 15:18 |
It's stupid easy to set up a screen or even a few coats hung over a boom behind the vocalist to do vocals in a live room. What you don't want is the voice bouncing around the room and then off the back wall into the live side of the vocal mike. The original Motown Hitsville studio in Detroit was a brilliant RCA live room design. It spoiled me forever! Part of me screams when I think of that room now being part of a museum rather than still making records. |
Bob Olhsson wrote on Sat, 26 August 2006 16:18 |
Part of me screams when I think of that room now being part of a museum rather than still making records. |
steveeastend wrote on Sat, 02 September 2006 15:56 |
.(14meters long x 5m h x 8m b, I have no clue what?s this in ft.) |
wwittman wrote on Sun, 03 September 2006 11:50 |
without meaning to seem contrary, Fran, my original point in starting this thread is that all of my favourite rooms are/were anything BUT neutral in fact one of the ways i used to describe Record Plant NY B to people was that it was UNCOMFORTABLE to talk in there... it was so ambient that it was almost difficult to hear someone form the back of the room. THAT made for the best drum room in the world. everything in that room sounded bigger than life |
sosa wrote on Sun, 03 September 2006 20:16 | ||
was that what they were going for ? was it designed like that or an accident ? do you think that room would translate better to tape than say to HD ? -AC |