Viitalahde wrote on Wed, 25 February 2009 07:05 |
I am a commando and I'm seeking for a capable unit. |
Gold wrote on Wed, 25 February 2009 09:04 | ||
I travel by elephant leaving destruction in my wake. |
Al
Post by: Viitalahde on February 25, 2009, 01:58:02 PM Frankly, as much there is the choice of NOT making your record brick-walled (many of my customers seem to value this and I'm putting out pretty sensible levels in many cases), the choice of making a stupid loud record should be as valid. Making everything loud is stupid. Making something loud can actually work if it suits the material. I usually tell my customers what I think of the levels and try to leave it open. But if the sound benefits from being a solid square wave, I'll do that. I'm not fixed to one RMS value. My name is Jaakko and sometimes I'm an audio violator. Post by: Alécio Costa - Brazil on February 25, 2009, 02:44:18 PM Post by: Bob Olhsson on February 25, 2009, 04:34:47 PM One real possibility is selling premium high-res files in addition to regular slammed music. I think trying to make one size fit all is a lot of the excessive distortion problem. Post by: Waltz Mastering on February 25, 2009, 05:10:36 PM
The only problem with this is the probability of a lot of "high-res" distortion. Seriously, I think all the distortion is coming from the mix engineers and the mastering engineers are getting a bad rap. That's my story and I'm sticking to it. TW Post by: Viitalahde on February 25, 2009, 05:14:14 PM Just like they do when posting screen shots of Adobe Audacity. "This brick just can't sound good!" Post by: Patrik T on February 27, 2009, 02:13:41 PM |