R.Nicklaus wrote on Sun, 06 November 2005 10:44 |
Mixerman,
What kind of hedging is being done here?
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You are not familiar with some of the history of this debate, therefore, the hedging would not be so obvious to you. I would imagine that the large majority of posters here have a genuine and unbiased interest in the results.
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Also to presuppose you are right before the test is done is as "dangerous" as to presuppose you are wrong. For anyone to go into the test with a presupposed outcome adds a flaw to the test IMHO.
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Presupposing I am right gives a purpose for the test in the first place. There have been claims that this is merely a converter shootout. This is NOT a converter shootout. This is an attempt to disprove my claims, that have been supported by two other independant and respectable sources, Slipperman and Bob Ohlsson. The claim being: There is a significant and unacceptable loss of low-end when a transfer is made from 2" to HD, a loss that does not occur in all digital mutitrack machines. The assumption is that there IS as loss, and the goal is for an independent group to attempt to DISPROVE the assumption.
An assumption is not an agenda. It's merely a place to work from. I expect everyone to go in with an open mind. Frankly, the large majority of the people that will be at this particular test, are going in with the presupposition that I will be disproved.
This concept falls under
scientific law and theory. Theories are always assumed true with the goal of disproving the theory. Repeatability offers the comunity a way of making the theory more concise and accurate. When I first discovered the problem, it was a hypothesis. Since Slipperman and Bob Olhsson have also discovered the problem independently of me, my hypothesis becomes a theory. If you read the link above about theory, you will see that a theory is accepted as true until it's disproven.
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This should not be a test of RADAR. This is about the low end of a transfer into Pro Tools from what you said was 8 or 9 tracks of bass and drums from 2". The test has grown from that target already.
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I used bass and drums. Adding some instruments isn't going to change the results. But this is a good example of why the assumption is so important. IF the group transfers an entire production and notices no loss of low-end, then the next test should be totransfer bass and drums only. The assumption allows for that next logical step. IF the group discovers precisely the low-end lop-off that I have described using more than bass and drums, THEN the theory remains valid, and the rsults have had repeatability. This doesn't change anything.
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RADAR is a great machine. I used the Otari RADAR 1 on a long project in '98 and bought 2 IZ RADARs for the followup project in 2000. I am no stranger to the format.
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I am not trying to prove or disprove that Radar is a great machine. That is a subjective analysis that must be made by the user, which includes paramaters that go far beyond sound quality. The Radar is there to prove this isn't a "digital issue," an argument that is consistently brought up when I discuss this problem. The Radar does not play back, with absolute accuracy, the 2" transfer. I don't know a digital multitrack in the world that could. What the Radar does, is illustrate a digital transfer from an analog source, can be "reasonably close." For some it might not be close enough, but there will always be some level of subjectivity to all this. After all, those who have a particular disdain for low-end, could argue that the HD sounds better after the transfer.
Depsite some level of subjecctivity, I am confident that the amount of destruction I have discovered, will be unacceptable to the community at large.
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Like it or not Pro Tools and the rest are here to stay.
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I don't like or dislike Pro Tools. I have stated on many, many occasions, I have and do use the platform. I have been firm that a GREAT record can be made on the platform. Neither one of these statements has
anything to do with the issue at hand. A loss of low-end when making a simple transfer from analog to HD. My goal and purpose here, is to force Digidesign to fix a glaring and inexcusable problem. We as a community have an obligation to force manufacturers to keep their gear up to spec.
Mixerman