All cymbals, yes. I like being able to pick a tone (note), per piece, and add it to the overhead sound.
In jazz stuff, I am more likely to use over-the-shoulder overhead setups, than high o/h.
Also a good time to try dragging the o/h tracks into alignment with the kit, just to see if it's nicer that way. Depends on the space, and the music.
Yeah, all day, jazz.. and any small acoustic ensembles.. challenging, but it's all about translating the 'real' sounds, instead of *radio edit*.
M
