Quote: |
Yea. Forat is some cool old school shit.
That sounds like a nasty job, Fibes. You could also take the drum hits off the sync head, and use a delay before going into the trigger unit. You could then tweak the delay time to line the hits up right. If you didn't have a million DDLs lying around, then you had to bounce the samples back to tape anyway...
|
Yes it was...
It was easier to do it my fucked up way since the samples had to be retouched via punches from time to time since sometimes the triggering would drift from itself.
At least i was using real samples instead of the ones in the DM whatever.
I always wondered how he got those sounds, much like the original post, I learned by sitting backstage at the magician school.
I also vaguely remember riding an output on a compressor to get velocities right. Ah those were the days before laziness uh, i mean the natural aesthetic took hold of me.
apptrigga really works for me now given the way you can trigger at several more velocities than SR and use different samples for each tier. I wish i had some samples of just the snares for when i need a little more of them and no actual drum, the whole white noise thing is so 1981.