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Author Topic: About SG's Superunknown.  (Read 6289 times)

JPRisus

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Re: About SG's Superunknown.
« Reply #15 on: May 04, 2005, 02:41:49 pm »

bblackwood wrote on Tue, 03 May 2005 08:50

Fletcher wrote on Tue, 03 May 2005 06:43

I won't repeat the stories I've heard... at least not before the 16th beer.

So we should wait until noon to ask you about them?

hehehe




Hey, it's always 5 o'clock somewhere... Cool
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J.P. Sheganoski
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brandondrury

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Re: About SG's Superunknown.
« Reply #16 on: May 05, 2005, 02:01:36 am »

Quote:

seeing that neither Jason nor Michael [both great guys BTW] like to talk much about it... I won't repeat the stories I've heard


That's right!  They had better keep their secrets safe and hidden because I'm putting Scott City, MO on the map!! ??????

What the hell am I talking about?

Brandon

Zepdavid

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Re: About SG's Superunknown.
« Reply #17 on: May 05, 2005, 06:09:30 am »

Well, maybe the secrets about Superunknown production and engineering must be top secret during a period of time since its release. Then they will be public.... hehehehe.

Until that, we must be waiting for the 16th beer... patience! it's 10th now and I note that a little info will be whispered here... jajaja.

Cheers... Zep.
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JPRisus

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Re: About SG's Superunknown.
« Reply #18 on: May 05, 2005, 10:42:29 pm »

i'm diggin some of the vocal treatments... sounds like preamp overloading at some points, other times the room seems to gradually get a little bigger and the vocal gets a little smaller in contrast, but not in a fake verb way... unique stuff! Would have loved to witness those sessions.
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J.P. Sheganoski
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Zepdavid

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Re: About SG's Superunknown.
« Reply #19 on: May 06, 2005, 06:07:20 am »

You're right... It seems a perfect combination of dynamics between vocals and drum ambience. I think the vocal treatment is the shure sm58 mic with a Neve preamp, its overload character is the contribution for the rock vocals sound... maybe I'm wrong in this.

Zep.
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Rob Darling

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Re: About SG's Superunknown.
« Reply #20 on: May 06, 2005, 07:29:11 am »

vox- a lot of 1176.  like 1176 to 1176 to 1176.   that's my knowledge from someone who did a record shortly thereafter with Michael.
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JPRisus

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Re: About SG's Superunknown.
« Reply #21 on: May 06, 2005, 09:31:31 am »

robdarling@mail.com wrote on Fri, 06 May 2005 07:29

vox- a lot of 1176.  like 1176 to 1176 to 1176.   that's my knowledge from someone who did a record shortly thereafter with Michael.



makes sense... i remember reading an interview on Cornell recording Audioslave and it was all 1176 too...

regarding my comment on the ambience, i didn't mean drum ambience, i meant vocal ambience... as if they mic'd up the room or pumped him thru a PA or something and blended it under the close vocal mic. It's a very natural ambience that varies in level at times.
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J.P. Sheganoski
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Zepdavid

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Re: About SG's Superunknown.
« Reply #22 on: May 06, 2005, 11:43:28 am »

Ahhh ok.

I thought you're refering the drum dynamics of "Let me drown" for example, sure that it's a Matt Cameron thing. Calm down during Cornell verses, with less drums ambience. And for this song's intro
(before the fist verse), does it seems another snare and a lot of ambience than the rest of the track? It seems Matt playing 2 snares, what a great Keplinger snares.

Cheers... Zep.
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