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Author Topic: decision between two preamps  (Read 5128 times)

Oliver

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Re: decision between two preamps
« Reply #15 on: February 22, 2005, 12:52:21 PM »

I just wanted to chime in on the SCA stuff. The chassis, power supply, and A12 kit (what I have so far) are excellent in quality and the A12 is a breeze to build if you can solder well. Tim's SC25 Opamp comes with the kit for $40 and, according to him, tests very similar to the 2520. See their website forum for more info. I won't comment on the sound as I haven't had a chance to use it much yet and don't have enough experience with good pres.
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brandondrury

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Re: decision between two preamps
« Reply #16 on: February 22, 2005, 01:00:34 PM »

I've recorded a lot of shitty high school band demos and I've recorded a few bands that were amazingly talent and very experienced dudes ready for bigger things.  

Maybe if you are doing legit label work 52 weeks a year, it's a given, but in my world the band is responsible for 98% of their sound.  I'm talking about the audio quality is almost completely dependent on the band.  

I realize that the chain is very important.  It starts with the source (the 98% part) then the mic, the preamp, etc.  When the source is the same, how much difference does a given mic or preamp make.  Well, the mic will give a different vibe of the source.  Sometimes extreme, but sometimes not.  The amplifier seams to make a much smaller difference.

When I checked out The Listening Sessions I did hear a difference between a number of the preamps.  But I didn't ever think that one sound was better.  Okay, so there is a dB less at 1K or there is an extra dB at 100 hz.  That's never a justification of saying HUGE LOW END.  To me huge low end is what you hear in a rap song and if you ran the bass and kick of a rap song into a "thin sounding" pro preamp then you would hear HUGE LOW END.  At least that's my guess.  

I recently recorded a Beatles on roids type Punk band.  I had a 57 and a 421 on the Marshall 1x12 combo.  It was a happening sound.  I ran it through my Mackie 1604.  When we doubled the guitars I ran the mics in the same position into my Vintech 1272.  After initial tracking, I labeled the tracks funny and forgot which was which.  I still can't tell which track was the Neve and which was the Mackie.  I'm guessing you wouldn't either.  None of my friends noticed either.  If people don't notice, then the difference isn't great enough because the differences between great albums and great recordings is easily heard by the buying public.

I've recorded bad guitar sounds through my Vintech 1272s and I've recorded great guitar sounds through my Mackie.  Someone brought up the idea that maybe my preamps are of equal quality.  Well, if it's just an issue of quality, then there would only be one preamp... the highest quality preamp.  It's an issue of character and I don't think the difference in character is enough to justify the price between the various preamps I have thus far.

The only time I have noticed a difference is in the way a certain mic will react with a certain preamp.  Then, it's just a case of an impedence mismatch or something.  I just have to remember that two mics can sound similar on one preamp and different on another preamp.


By the way.  If a ran a cd line into a API 312 of the big Snoop Dogg hit, I'm pretty sure it would still sound like shit.

Brandon

Mike Mermagen

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Re: decision between two preamps
« Reply #17 on: February 23, 2005, 04:19:16 PM »

Brandon,
I see what you mean, now. In your application, the difference is not so appreciable or noticeable. Anything goes in the rock studio. I imagine you could do vocals with a dixie cup and a string attached if it gets the right result.

For what I do, I can only use an SM-57 for the talkback monitor!

Cheers,

Mike
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Tone Laborer

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Re: decision between two preamps
« Reply #18 on: February 24, 2005, 09:26:58 AM »

I've found using a quality pre has made a huge difference. For example, it's well known how important mic placement is. But listening through budget pres, the differences are there, but it's difficult to say which placement actually sounds better.
Through the high end pre, it's easier , for me anywayz, to distinguish the exact right spot for the mic. Also, the highs are so much more pleasant and extended with the quailty pre. And the differences become even greater as you record more tracks.

So I say get you one. Hardy or API. Hard choice, but aren't they all. For my $, I'd go with the API.
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Ed Ferguson
Austin,Tx
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