I cannot comment on the audibility of capacitor differences, except with the really bad ceramic ones that are not suited for audio anyway.
I can measure capacitor distortions down to -155 dB, and there are very few that are below this line.
Paper/oil types (the ones that are relevant for this posting) have distortions widespread in the range around -120 dB.
Every type and model of capacitor is different, and there are large unit to unit variations within a batch of the same model.
When historic mics where built, the manufacturers chose what was available and suited for the job.
Had their choice been a “lucky punch” or doesn’t it matter?