Samc wrote on Fri, 24 December 2010 12:28 | Nothing stops people from buying the CD if they want a higher bit count...
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Well…
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« Reply #24 on: December 24, 2010, 07:07:09 PM »
compasspnt wrote on Fri, 24 December 2010 14:48 | If people could (illegally) download a new Mercedes for free, most would.
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Not sure I agree…
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one of both the most and least successful producers of ALL TIME!
« Reply #25 on: December 24, 2010, 07:07:27 PM »
I hear ya!! compasspnt wrote on Fri, 24 December 2010 15:56 | Uh, Bubba, I don't think you know to whom you are speaking.
Perhaps cool it a bit here on WW.
Thanks.
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"When we make music we don't do it in order to reach a certain point, such as the end of the composition. If that were the purpose of music then obviously the fastest players would be the best. Also, when we are dancing we are not aiming to arrive at a particular place on the floor as in a journey. When we dance, the journey itself is the point, as when we play music the playing itself is the point." -Alan Watts
« Reply #26 on: December 24, 2010, 07:11:16 PM »
wwittman wrote on Fri, 24 December 2010 14:48 |
you can't say "the public DEMANDS auto-tuned, beat corrected, loudness maximised recordings" when the public is clearly refusing to pay for it; in droves
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Absolutely. By the same logic you could also question the notion that the public doesn't give a shit about the lossy compression. That horrible grainy warbly sound alienates me and I'm a very tolerant listener. I hear the song, know who the singer is and have no sense of involvement even if it's a track I like. Am I some kind of purist? Old fogey? Hell no. (Well old, but not a fogey damnit) By the way, I have heard your above-cited quote spoken by A&R personnel, engineers, producers and especially band members. Where did this poison come from? It's insane. JW
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one of both the most and least successful producers of ALL TIME!
« Reply #27 on: December 24, 2010, 07:17:58 PM »
jwhynot wrote on Sat, 25 December 2010 01:11 |
wwittman wrote on Fri, 24 December 2010 14:48 |
you can't say "the public DEMANDS auto-tuned, beat corrected, loudness maximised recordings" when the public is clearly refusing to pay for it; in droves
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By the way, I have heard your above-cited quote spoken by A&R personnel, engineers, producers and especially band members.
Where did this poison come from? It's insane.
JW
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The desire to be famous seems to be more important than the music. But at the end of the day it´s the labels, I think. A lot of bands and musician still follow their visions, dreams of music. But the moment they trying to make it big all good intentions are gone with the wind and they wanna sound like all the others. Who told them "all the others" are making money?
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« Reply #28 on: December 24, 2010, 11:32:45 PM »
I don't think you can blame labels fir this one
The vast majority of soul-less sterile, flat line brittle records aren't ON actual "labels"
I blame "producer" insecurity. Even if that nominative producer is just the band.
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William Wittman Producer/Engineer (Cyndi Lauper, Joan Osborne, The Fixx, The Outfield, Hooters...)
« Reply #29 on: December 25, 2010, 01:33:19 AM »
We have to work on making it lossless for the artist first.
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