Firstly, a big thanks to everyone who submitted. While I may not personally address each mix, as a whole it has already been very reflectively educational to my own mix listening to the rather awesome array of choices everyone else made. If that makes sense, I hope it does.
To be critical of my own mix after hearing the rest as a side-by-side:
I did definitely drop the ball on the bass and specifically the low-end of the bass. No real excuse for that, maybe my monitoring situation or just a bad balance call.
The verb was indeed a little thick, perhaps, or I failed to get a good overall balance with it.
My high-end was still a touch sizzley, as Mr. Hall pointed out. While I rolled back the high-end on the drum overheads, which I felt was pretty harsh, I left perhaps a bit much in the high-hat -- I did like, though, having it forward a bit to get some interplay with the tambourine.
After hearing Mr. Hall, Graham and Mcsnare work with the tambourine, I think I didn't do it a great deal of justice with regard the power it had to lift the chorus.
I thoroughly enjoyed the overall feel of mcsnare's mix, the mono slapback vocal delay was perhaps more what I myself should have gone with to acheive, again, that throw-back kind of feel vs. what I myself ended up with.
I also was pretty impressed with Adam Miller's mix as a whole, it feels pretty solid, maybe a touch much on the high-end of the bass, but I think it's just a matter of personal taste there.
More impressions to come as I continue to listen, it's a bit hard being critical of other engineers and their mixes as a new guy to the forum, so I'm trying to ease into it.