Quote: | Did you add a sample?
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yes, I made a sample right out of a track that I was mixing a couple days ago. That helps in opening up the kit - EQ'ing the snare track didn't do it for me, too much "P
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« Reply #20 on: March 07, 2010, 10:22:40 AM »
Please count me in! Or am I too late ? EDIT : Nevermind... I'm downloading it now Thank you Mr. Hall
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I Like Kevin Bacon, But I Hate Footloose.
Thank You.
Scott
« Reply #21 on: March 07, 2010, 01:31:23 PM »
Hi, great track with accurate tracking.
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« Reply #22 on: March 07, 2010, 02:52:58 PM »
Fun tune. Very nice job on the recording. I hear some Transient Designer on the snare. Sounds like an AC-15 on the guitars. Jazz bass hitting a dbx 165 ? I like to guess Dave
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« Reply #23 on: March 07, 2010, 04:01:46 PM »
mcsnare wrote on Sun, 07 March 2010 13:52 | I hear some Transient Designer on the snare.
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I was thinkin the same thing. I too like to guess.
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« Reply #24 on: March 08, 2010, 09:23:52 PM »
I'm in for my first IMP. Downloaded the files and have done a quick mix on my earbuds......should be interesting to have a good listen when i get to the studio.
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Chris Hallam. Melbourne, Australia.
« Reply #25 on: March 09, 2010, 12:52:48 AM »
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« Reply #26 on: March 09, 2010, 10:26:27 AM »
Greg Dixon wrote on Mon, 08 March 2010 16:55 |
One reason for not submitting mixes early is so that people aren't copying each others mixes.
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BINGO!!
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« Reply #27 on: March 09, 2010, 01:37:26 PM »
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Philip
« Reply #28 on: March 09, 2010, 04:44:46 PM »
mcsnare wrote on Sun, 07 March 2010 13:52 | Fun tune. Very nice job on the recording. I hear some Transient Designer on the snare. Sounds like an AC-15 on the guitars. Jazz bass hitting a dbx 165 ? I like to guess
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I was not present for the tracking of drums and bass, so i cannot say for certain. But since the bass was played by Joey Canaday, it's a safe bet that it was indeed a Jazz (or Jaguar bass... same thing). His outboard rack has changed over the years, so I'm not going to wager a guess on what compression he used for this particular session (though it definitely sounds like dbx). I don't believe there was any transient designer on snare, but it was recorded with a Yamaha mic that tends to have a lot more snap than the typical sm57 setup. Plus, the drummer wasn't exactly a light hitter. Guitars were played by Mike Durham, and if I recall correctly, he didn't have his cartage rig because the artist was trying to do this on the cheap, so it was just his Marshall 20-watt JMP. I used an SM57 and Royer 121 bussed together into a GML 8200 and a DBX 160.
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"Nobody cares what the impedance is; all they care about is when you can walk into the room, set up a mic, turn the knobs, hit record, and make everybody go 'wow.'"
« Reply #29 on: March 09, 2010, 08:21:35 PM »
Ahhhh the 20 watt JMP. A very sweet sounding version of the classic Marshall tone. I recorded one of those once. It was an old original one. Did Marshall re-issue those? Do you remember what kind of speaker cabinet? Very nice guitar tones on the this little ditty.
Dave
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