A great mic-locker is like a great wine cellar.
You don't merely select a wine for it's flavor alone, but
also for the way in which the wine pairs with certain food.
Pairing a Mic (and a Pre) to the Source-Material in a way
that is Flattering to the Source in playback a typical goal.
Like wines, you have your clear, transparent whites
and your various shades of dark to darker reds . . .
My personal locker of Vintage Austrian and German Mics
from the 40's - 60's has a great range of tone-color.
And still, very often they're not the Right Mic for something!
Brilliant sources often need mellow mics, and vice-versa.
When adding to a mic locker, a personal goal is to see if
there is an instrument, or style of vocalist that I can't
be already cover with the current mics. Does it cover some
sonic real-estate that you don't already have covered???
The Search for Useful Tone-Candy Continues . . .
Cheers!!
Larry V / ADK)))