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[aivoryuk]

my settings, from memory

spitfish just to tame some sibilance set in the 8k region

sonoris eq -1dB at around 5K just in the middle channel,

Algorithmix Red eq +1 low shelf at 100Hz q 3.00 this is more of a resonant shelf.

Flux Epure +1 at 500Hz and 0.5 at 1Khz.

then in to Triple C compressor in full band.
Ratio 1.25
attack 20
release 300
GR 2

I then just turned thre output to what i thought was a compromise between loudness and dynamics

Apogee 16bit dither

[Ed Littman]

I really liked the mix/song.I wanted to push the saturation feature on the new Buzz eq. This is probably the reason some heard a loss in the stereo image. Looking at my notes I thought i did something else, but here's what written down.

I hope when Brad finishes the last of the trim in his room he can chime in as to what he did.

Wavelab 6 out through Cranesong Hedd DAC (no process)

Buzz EQ

145hz shelf (slope 9) +1.5db

1kz (Bandwidth 0.5) +2.5db

2600hz (Bandwidth 0.5) +1db

1350hz shelf (slope 10) +3db

#5 saturation

The higher the # (2 to 13) the the sharper the slope.

Chandler LTD-2

0 makeup gain

0 threshold (#10 on the faceplate)

attack 10ms

release 50 ms

Cranesong STC-8

threshold 1

attack 8

release 2

shape steep

makeup gain 5

oxford limiter
enahnce 11%

capture into wavlab at 24 bit dither to 16 bits