Hi rankus,
Keeping this to dynamics and in decreasing order of cost (and increasingly less than 421s according to sweetwater.com), I've had personal experience and respectable success with:
+ Shure SM7B. I had a pair of them until I realized I was only ever using them on toms. So I sold them.
+ Beyerdynamic M201. Low output, kind of touchy because of pillowy proximity boost (unlike the SM7B), but can be dealt with. Low profile. Could be useful for other sources as well, as a bonus.
+ Audix i5. Least expensive of the lot. Ugliest off axis-response of the three. Not as crazy of a proximity boost as the M201. Pre-eq'ed with a bit of snap/harsh top end... may work well for you, may drive you nuts. Occasionally useful on guitar amps and snares. I've recorded some lovely 70's style dry snare with this mic, it just happened to mate with that particular snare. Somehow the proximity on this mic can really suit some snare drums. I'm writing the most about this one of the three because I have a bit of a love/hate relationship with it.
I live in Vancouver and could drop off a M201 and Audix i5 sometime if you want to test them out.