If it were my gig [having no idea of the room, kit, style of music, etc. -- in other words, a pre-judged yet uniformed response] I would probably go with
The Shure 52 for kik [and possibly add the "sub kik" if you want too... Michael Wagner uses this combination a lot and it seems to work pretty well], the AKG D-190 for snare, the Pearl CR55s for over heads, the 57's on the tom(s)... and if necessary, a 58 on the hat.
I wouldn't worry about the ride cymbal unless you're not getting enough of it in the overheads [which could also mean that you need to work on your technique to get the ride to cut through clearly when you play].
Pick whatever you want for room... and leave compression out of the picture if you're rushed for time [even if you're not rushed for time]... over the years I've found that unless you have a really inconsistent drummer, compression on drums as effect can be an interesting mix thing [especially parallel compression] but during recording it is often a recipe to get a whole lot of something you don't want and can't remove.
Hope this is of some assistance.
Peace.