Well, hmmm, Back then Goldwyn Sound was part of Warner Hollywood Studios, so I think those modules came from that board. Every Q8 back in those days had a ton of custom modules and layouts and were not stamped out like in later years. Below every three modules was a rotary pot that worked as a sub for those three faders. No automation.
The mixers who used the console were:
Bill Varney
Steve Maslow
Gregg Landaker
you can IMDB those guys to get an idea of the movies that I refer to and they won two awards in a row...
I was the maintenance tech. In the picture, taken during the mix of The Jazz Singer, you can see the back of the Q8 with a Trident set in front of it that was used for music. That was a temp set-up and we used a ton of 24 track machines as well as 35mm Mag.
Oh yeah, that is me with my arms outstretched.