Here's a suggestion you won't hear very often and that absolutely won't resonate here at all.
Please listen carefully, I will try to be concise.
Try to find a pair of used mackie srm450's, but only the older ones, with the 'italian' drivers (built up until '04 I think).
These speakers are very very clean and have headroom like nothing else (for that money).
In the mid or far field they are fine and even cope well with reflective rooms since the horns are well dispersed.
You will hear all kinds of distortion you never knew about on any near-field 'tweeter speakers'.
Infact, at first you will claim that they are horribly nasty & distorted.
You will be disappointed with all your favourite recordings.
This first phase will last a short but troublesome time.
Eventually, you will, in absolute desperation & dejection, pick up an old Nat King Cole or Patsy Cline or Buddy Holly CD and you will crank the master to listen.
Then, and only then, will you finally realise the truth.
These speakers are not distorted.
Here's how they will change your life:
They will make you love ribbon mics.
They will make you hate compression.
They will make you hate limiting.
They will make you suspect that tape is a pretty awful resolution losing device.
They will make you hear the meaning of the word 'resolution'.
They will make you hear very small equalisation adjustments.
They will make you prefer not to equalise.
They will make you hate plug-ins.
They will make you back off at least 6dB from every part of your signal chain.
You will hear resonances in condenser mics on esses and string sections and drum overheads and realise that this does not constitute 'detail'.
They will make you consider the dynamic range of the sound source you are recording.
They will make you understand that gain & gain structure is the root of 'sounding big'.
If you compress and limit and distort, you will be punished with small dirty sounds.
If you use nice mics, you will be rewarded with big, rich, detailed, alive recordings which make you smile.
Your mixes will translate to all kinds of speaker systems, including large-scale PA systems, car stereos, boom boxes & other places.
The only downside of these speakers is self-noise, which is somewhat higher than average (and they sound most alive with the gain at unity) but with headroom like this noise-floor is no issue.
(Oh, and also, the other downside is that you will hear distortion in almost all the classic albums you can think of).
Don't believe me? Find a pair and listen. Please.
I think you could probably pick up a pair on ebay for $999....
Andy