Still figuring out the corners for the HPF. The low pass is probably going to be 15k, 16k, 17k, 18k, and 19k and off. 2nd order, Butterworth.
. I have an idea for an elaborate filter set for cutting. It's the project for "after the console is finished".
4 channel with the EE same box.would it be 'Salt' or 'Gold'?I can see a nice white ivory faceplate
Love that big Sontec logo! Looks like a better paint job (and hopefully better construction) than the last 482 reissue I have used.
Those wouldn't be my choices. I'd start much lower. The last three will be pretty much useless. Records for all practical purposes go to 15k. It's a dirty little secret. I have an idea for an elaborate filter set for cutting. It's the project for "after the console is finished".
Congrats on your 482! If you haven't already, try a boost on the highest parametric band, at 25k, with medium Q, for a presence boost
Did you read about Stan Ricker taking apart his 68, with a fried right coil and mating the good half with a friend's 68 that had a fried left coil and got the good parts to work together per spec?
I've been trying to avoid giving a snarky answer but you should really do some cutting before designing stuff for cutting. You have not considered the playback side of the equation. It's no problem getting that stuff on the disk. Getting it off the disk is another matter.
No, but that's as easy a repair as you could hope for. Most are not that easy. There are not adjustments in a rebuild. Either everything is right and fits and works or it doesn't. The Westrex is easier to fix but has to be tweaked to get it right.