Im thinking along the same way. A Larger controlroom, with an iso damped iso big enough for drums and a seperate machineroom for noisy equipment.
This is a link to a Sketchup Sketch.. for how i?ve been thinking so for.
http://johnlsayers.com/phpBB2/viewtopic.php?t=5802&highl ight=
My main reason behind it is, better communication, faster productions, no need to run through 2 doors just to change a mic. Positioning.
I feel a lot of work is done in the control room for creative reasons, so an often unused live room for me would be a waste of real estate.
A Hidley nonenvironment front control room (broadband absorption, reflective front, absorptive rear), combined with a Motown style dead below waist level "backroom" with a more lively upper parts. Also thinking about including a Malcolm Chisholm design feature with a reflective screen in the front of the ?play? area in order to give more acoustic feedback to our players since that there is no frontwall to play against anymore.
Of course i see drawbacks. The use of earprotection and the fact that we can no longer make fun of the performer behind the glass and that we also have to constantly be close to some smelly musicians..
We will get more "human" noises recorded but i personally find that quite a feature, think of old Bob Dylan songs complete with scraping stools and people entering the room. A performance frozen in time..
Thanks for a great forum! Any critique and suggestions highly welcome. /Toby