Ator- Fat! The kick is really strong and upfront, the sound is really full- neat snare treatment on acoustic bits- pok!
Tom C- Liking the groove factor, lots of midrange, gentle on the woofers. Acoustic parts are way bigger than the distorted ones!
Adam Miller- Really big! I'm liking the snarl on the stereo guitars and the big drum sound. Just... BIG. Whoa. (in Keanu Reeves voice)
V Korehov- Double whoa. Are those reverb effects? On the third acoustic guitar, or on the semi-dirty electric? This is a TRIP, incredibly daring. They weren't heavy enuf for ya, huh?
LouMan- Lots of air, lots and lots of air! The dynamics of this one have more room to move than usual. Actually everything has lots of room to move because the SPACE everything is in is way bigger than usual. I like the size of the verse vocals relative to the band.
Nizzle- Yikes!
Damn, you're loud! Like a band in the room. I'm enjoying that incredibly aggressive kick, and the bar-band-verb vocal. This is GREAT fun, I'm feeling the energy.
Dik- BIGTIME groove factor, and a huge beefy low end. I love how the loud bits hang together with all the elements roaring away in balance. Also, the way the track can go off like a cannon on guitars and kick and bass. Definitely awesome, I'm a fan
J. Hall- Wow, compressed AND pointed. Intense intense intense. Got a super-aggressive groove factor. Damn, are your walls-o-sound good, too. I like the use of the bass for lows, it seems to sound extra good. Compression compression compression. Sweet. You da man
Shakes the Clown- Cool- solid! We have groove again, and loads of bass, and things are combining in a way that really appeals to me. I like, I really like. I particularly like the drama of the vocal against the well-crafted backdrop of the music
Rankus- Big- the snare verb jumps out immediately, and then the warble effect on the lead vocal- things are combining in a good way here too. Wild delay trickery at the end, like a headbanger canon
Cerberus- distorted!
seriously, neat grind on the guitars, reamping it instead of say doing the same effect with EQ is very interesting. Sometimes it works REAL well on the chuggy guitars. Whatcha doing on the lead vocal in the acoustic section? Very tricky vocal mixing on the bee gees section at the end
M Fassett- I'm liking the crunch on the guitars, they're really big and solid, and this makes the dynamic contrasts come off really well. Also, kewl verb on the snare, and good steady groove factor
Blueboy- I like the guitar crunch here too, and it's neat how the bass goes 'bwommm!', the bass has a more voicelike tone here than on any other mix. It almost sounds like a fretless. It's interesting how the intro guitar is incredibly forward and then other things are in the middle or way back- this mix has lots of front-to-back placement
Nick T- Whoa! BIG. Ye GODS. Makes me feel like a tiny little ant person
Damn good groove factor too, and holy mother of fuck, that frequency range, super lows and such highs. I'm not worthy, I'm not worthy!
and what did you mix this on?? (actually when I turn mine up about 7 db I don't feel quite so much like a tiny little ant person. Still... *makes heavy metal gestures while headbanging*
Garret- Suddenly I'm in a warehouse! Whoa- no intro vocal. Verse vocal sounds good tho. I like the size of the kick combining with bass, that's on a very big scale. Coolbeans
Calvin- No buss L2 limiter here! *turns it WAY UP* hey, neat vocal reverb! Is that a flanger on the vocal reverb? It has a nice subtlety. I am also liking the bass tone as it combines with kick and snare
good low end kick here. Turn this one UP people, these are not necessarily mastered. (Mine isn't either)
Max- Again with the TURN IT UP, otherwise you're not hearing what's there. Hey, heavy guitar! I like the deep crunching on that guitar. We've got different guitars doing different things, like a trebly scratchy-chug guitar and that big chug guitar I was enjoying. Also the vocals are floating several miles about the band like they're flying in space
Patrik T- Aha, we're on a big stage. I like the way I'm hearing the scale of things get bigger as other instruments enter- it really feels like the arrangement is getting bigger when new stuff comes in. Also some of the stuff is way deep in the reverb, making even more depth.