Thanks for the comments everyone, much appreciated. I'll distill them down to this:
- red/white/blue wins for practicability/ergonomics
- black on black wins for looks/vanity
- original grey/black for status/tradition
At the moment, I'm leaning towards the black version... guess that says something about me

Maybe I can somehow get the colour pointer rings to be better visible for decent color coding.
Bonati wrote on Wed, 17 November 2010 04:09 |
Robin - awesome! Congrats. How long did it take to get it? I love the 462.
|
I got it second hand, so there was hardly any wait.
Ben F wrote on Wed, 17 November 2010 04:16 |
Anyway Robin stop fiddling with knobs and let us know your first impressions! Best air ever? Loving the midrange?
|
"ganged stereo controls on an EQ are amazing. you feel like a god" (McCaig, 2010). It's true, I'm loving the ganged controls to death. And the Shallco frequency switches feel great. I'm not sure why, but the fact that they go 'round and round', i.e. that there's no stop point on either end, somehow really does something for me.
Sound wise, I'm immensly impressed by how clean and precise the unit feels while at the same time being smooth, for lack of a better word. Musical may be a fitting term, whatever it means to you

Reg. highs/air: To me, the unit comes with two distinct flavours:
The high shelve feels very precise, very neutral. Definitely less soft than that of the 250c. This one I'm only beginning to appreciate and find uses for, but I feel it has the potential to be much used once I get to grips with it.
Then there's the highest parametric band, which can be set to 25, 23, 21, 19 & so on kHz. This one I've found fantastic for transparent air so far. Boosting it at a very high frequency setting and playing with the Q control gives fantastic control over clarity. Does the 432 have the same frequency choices?
As for the rest of the bands: What can I say... so far, whatever band I dialled in sounded right on every job. Effortlessly. I haven't really felt the need to fiddle with any of the other EQs since the Sontec 462 arrived (except for the some Avalon2077 box tone or the Sontec250 tone & high shelve).
One thing I noticed is that I'm finding myself using the lowest band a lot to tweak the low end where previously I often preferred to cut with digital EQ.
Anyway, I've only had the unit for a few weeks now, but I can already say with certainty that it's the best thing since sliced bread. If you give me a few more weeks, I'll come up with some juicy adjectives too
