Ditto!
It’s an easy unit for a variety of applications, apart from just a stereo or mono compressor.
I use to use it on my guitars all the time, even drums and overheads. Not so appealing on the vocals, or grand piano, I thought. It can get mushy..
As a stereo bus compression or mastering agent, it needs constant tweaking though, as it changes its colour from track to track, unlike, what I felt with the Maslec stuff, always in the ballpark apart from a notch here and there etc.. and NO, Ted Fletcher’s tfpro, does not sound like the JM too much. I much preferred the JM for 2Bus or individual track jobbies than constant mastering. But, used in subtle ways, it lends towards mastering no problem..
My two quartz. You enjoy that comp mate ..
Ciao’
KAyo