so which are great headphones for tracking, and which are the ones you give to the producer for listening and the artist for destruction?
Should an engineer get like 3 different types of cans? What are you looking for in a pair of tracking cans freq response wise? Do you want a flat response, some rise in some frequencies,....vhat? Vhat ees eet that makes a goot headphone.....GOOT?!
Differences between dynamic and condensor headphones,......sheesh I didn't even know there were types like that.
Also, headphone.com although an awesome resource, thanks for the mention, doesn't have, under "by application", studio work. They have 10 Best Headphones, Replacing Cheap Headphones, Traveling, iPod, Exercise, TV, and Audiophile. No Professional or Studio category. Or is that Audiophile?
r
PS: and the areas that might explain all this tech stuff is under construction on headpnone.com's website
r